Normally, I stick to only photography related posts; however, this is another special milestone for me and A+ Photos. Hitting 200 followers has made me realize there is a fairly large audience who enjoy my work, so I will continue with putting my efforts into this blog. I would like to thank anyone and everyone who has ever “liked” or “commented” on a post and I give another massive thank you to my followers. The more people who improve their photography skills the better! Again, an enormous thank you to the audience for your support! 🙂
Yes, I’m finally back blogging. It has been awhile, but here is part of the reason for the absence.
San Antonio, Texas is a great city for photography. Photographing the San Antonio missions is something everyone who visits the city should try to do. The four missions were built in San Antonio by Spanish missionaries and are named as follows: Mission Concepción, Mission San José, Mission San Juan, Mission Espada. Each of these missions presents amazing opportunities to learn about history,cultures, and your creativity. Yes, one may learn about and develop a new sense of creativity at these locations, because of how many different subjects there are. So, I now present the audience with tips for photographing the San Antonio Missions and missions in general.
- Look Up – Many missions have domes near the front of the church at the mission. If the church has a dome, it is likely that the dome will be painted and present a unique subject for a photograph. Many people usually overlook the dome, because one would have to be looking up; which, is unusual, but makes for a great photograph. These churches usually have dim lighting, so it is likely a long-exposure photograph will be necessary. Either a tripod or a very steady hand is necessary. In my case I have neither, so I ended up laying down on the church’s floor and received some interesting looks, but it was worth it.
- Try different angles – Taking photos from your normal upright and straight forward position is easy; however, these may not be the most interesting photos. Instead try getting low to the ground or standing at an angle. The subjects in these kinds of photos are, in my opinion, more interesting.
- Stacking and Framing – These are two photographic concepts that are presented frequently at missions. Stacking many subjects in a photograph can create a captivating effect. Framing focuses the audience in on the subject and creates a more natural introduction to the subject. This can be achieved by finding many candles in a row, for stacking, or many arches. For framing, one may use an old window or tree branches.
Hopefully these tips can help some of you if you ever decide to visit one of the many missions located in the southwestern United States. Here are some more photographs from the trip. If you enjoyed this post please like or comment.
Now, I know what some are thinking, “How can the history of clouds in photos be an epic saga? That sounds dumb”. Well the truth is, it does sound dumb. Then again you don’t judge a photo based on how it sounds, do you. Anyway this will be a brief post on the importance clouds have played and continue to play, in photography, for both amateurs and professionals.
Ansel Adams. You may have heard of him. If you haven’t, get out from under your rock! Just kidding. Ansel Adams, is said to be the grandfather of landscape photography. His photos are recognized globally and are some of, if not, the best photos taken in the history of photography. This photo titled, The Tetons and the Snake River, is a beautiful example of the work Adams produced throughout his lifetime. Taken with a large aperture, using a combination of back and diffused lighting, and using a mid-range shutter speed; this photo is beyond beautiful. Many of his photographs are nature based and as seen below. Notice the use of clouds to give an ominous and powerful feeling to the mountains and sky.
Now this is just one photograph, from one photographer. I wouldn’t be convinced of the role clouds play in photography just yet. So…hear is Peter Essick.
Peter Essick, who was recently named one of the top 40 most influential nature photographers in the world, is one of my favorite photographers. His photos have been featured many times on National Geographic and are simply amazing. This photo titled, Thunderclouds, Garnet Lake, has great lighting coming from behind enormous thunderclouds, giving a sense of nature’s strength and beauty.
Okay, two photos from two established and well respected photographers. Here’s another.
Ian Plant. Another well respected nature photographer, Mr. Plant is an editor of Popular Photography, magazine and a frequent contributor to many other magazines. In this photo titled, Ebb and Flow, one will notice it was a long-exposure photograph with a large aperture and features great back-lighting of clouds and small islands. Yet, again more clouds!
So, three professional photographers with three examples of clouds being frequent in their nature photography. What about amateurs?
I am considered an amateur so, here are just four, of several dozen of my favorite photographs containing…CLOUDS! Go figure.
So, it is safe to say that clouds have and,will likely, always play a major role in landscape photography, not only because they occur naturally and photographers can’t make them leave, but because they give photos a sense of character and add drama. From professionals to amateurs, nearly everyone who owns a camera has taken a photo either of clouds or a photo where clouds are a major contributor to the photo’s subject.
So, the next time you see a cloud…thank it, for making photography interesting and sometimes challenging, I’m talking to you rain clouds!
If you enjoyed this post please like or comment.
Today I had people visit my site from 10 different countries! The highest before was four countries in one day. I consider this an achievement, because by reaching out beyond my county’s boarders and language barrier is a demonstration that the internet and photography are not limited by boundaries and are not influenced by language barriers. In the end photography is truly a language in which one photo is really worth a thousand words in every language!
Normally, I stick to only photography related posts; however, this is a special milestone for me and A+ Photos. Hitting 50 followers has made me realize that there is a good sized audience who enjoys my work, so I will now put in even more effort into this blog. In addition, I would like to thank anyone and everyone who has ever “liked” or “commented” on a post and I give a massive thank you to my followers. My new goal is 100 followers before January 1st, the more people who improve their photography skills the better! Again, an enormous thank you to the audience for your support! 🙂
On a recent trip to Santa Cruz, I decided to go on a whale watching tour. For those who have never been on a whale watching tour, here are some tips in general and for photography.
- Pop them Pills – Now, if you thought I was speaking of drugs you were correct, that is, over the counter Dimehydrinate tablets, aka, Dramamine tablets. These are essential, especially, if you get motion sick easily. Even if you do not get motion sick easily, it is better safe than sorry. Besides either you keep your food or the fish get a nice snack.
- Jackets – I made the horrible mistake of not wearing a jacket, for this was my first whale tour. Unless you wish to feel like a polar bear, in December, in a snow storm, on top of Mount Everest, take a jacket.
- Elbows – They are there for a reason. I quickly learned that the elbows were designed, not as a strategic location for a joint, but as a deadly weapon. If your tour is full; first, prepare emotionally for the battle ahead. Then be sure to elbow your way to either side of the boat. Eventually whales will end up on your side, that is, if there are even any whales on your tour.
- Do not be scared – Yes, some will argue their camera is more important than anything in the universe; however, you made the choice of being on a rocking boat, fully surrounded by enormous mammals that out weigh you by at least 200x and you payed for the experience. If you are worried about your camera getting wet, that is the least of your problems. Remember the camera can be replaced, but if you have to choose between a life-vest and your camera, please choose the life-vest.
- Timing – As I said the boat will likely be rocking. Timing the shot is difficult and very irritating at first. Later you will learn to anticipate when to take the shot. For what ever reason, in Santa Cruz sea lions always seemed to know where the whales would surface. I do not know whether this is just a Santa Cruz thing or if it is common in multiple areas. So, look for sea lions, they’re psychic.
- Gray – If you are using auto-focus, you better pray for a sunny day. Many cameras can not distinguish between a gray sky, with gray water, and gray whales. So, the camera’s ability to sense differences in color and lighting drops to a very low level, further complicating taking photos on a rocking boat full of irritated tourists. If the sky is gray and similar conditions occur, I recommend switching to manual-focus, if you have the option. This worked for me and is one of the few times where it is was required to go to manual-focus.
Free Willy, by liking or commenting on this post!
Lighting is what gives a photograph a personality. As a photographer one should say do I want this photo to be apparent or mysterious, vivid or bland, happy or depressed. These moods can be achieved by knowing how to use the four kinds of lighting.
- Diffused lighting – Lighting is spread evenly throughout the photo. Diffused lighting minimizes shadows in photos and ,some times, can eliminate all shadows in photos. Diffused lighting can also reduce the appearance of wrinkles in photos, so many portraits of older subjects use diffused lighting to their advantage. Diffused lighting can be created naturally when the sky is overcast. Since the sunlight is having to travel through a layer of clouds, the light is spread out. Diffused lighting creates a mysterious or bland scene; however, it all depends on the subject. As seen in the photo below there are no apparent shadows and the lighting is mostly even throughout the photo due to an overcast sky.
- Back lighting – Caused when the light source is located behind the subject. Excellent for creating a sense of drama and for creating silhouettes. Back lighting is simple to achieve, especially around sunrise and sunset. When the sun is at a low position in the sky it is easier to place a subject in between the sun and camera creating back lighting. As seen in the photo below some storm clouds are back lit by the setting sun creating a silhouette of the clouds.
- Front lighting – Caused when the light source is in front of the subject. Unfortunately, front lighting places shadows behind the subject and can cause these photos to appear “flat”. The flat feeling is a result of the loss of shadows and makes these photos seem more two dimensional. The photo below is an example of front lighting. Now, while this photo is not exceptionally flat, due to the motion of the water, it is still front lighting.
- Side lighting – Caused when the source of lighting is located at one side of a subject. As a result of the source of light coming from one side of the subject, usually one half of the subject will be well lit, while the other half is covered in a shadow. The subjects curves and edges are noticeable allowing for the differentiation of elevation on the subject. Side lighting can cause a three dimensional effect to appear in a photo. Side lighting is also exceptionally good for dramatic photos. As seen below the subject is side lit allowing for parts of the rock formation to be well lit, while other areas are blanketed by shadows.
If you enjoyed this post please like or comment. Do it. He’s watching YOU!